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AtEdge

AtEdge

Photography & Motion
Medical Illustration & Animation

Medical Illustration & Animation
PLAY! Illustration

PLAY!

Illustration for Toys & Interactive Games
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WORKBOOK

Photography & Illustration

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Workbook Creative

Jeff Slemons

illustration of A mysterious spaceman stands on a far away moon where an alien ship has crash landed.
illustration of A bizarre looking alien creature scurries about on some barren moon in distant space.
illustration of An Elf like creature on a far away world has his sword drawn for a possible confrontation with an unknown alien assailant.
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illustration of
illustration of A page from a six page story about the wars and battles the ancient Israel tribes waged against the inhabitants of the land of Caanan. It was published by Kingstone Comics
illustration of A page from a six page story about the wars and battles the ancient Israel tribes waged against the inhabitants of the land of Caanan. It was published by Kingstone Comics
illustration of A page from a six page story about the wars and battles the ancient Israel tribes waged against the inhabitants of the land of Caanan. It was published by Kingstone Comics
illustration of A page from a six page story about the wars and battles the ancient Israel tribes waged against the inhabitants of the land of Caanan. It was published by Kingstone Comics
illustration of A page from a six page story about the wars and battles the ancient Israel tribes waged against the inhabitants of the land of Caanan. It was published by Kingstone Comics
illustration of Camouflage treatment of an aerial view of the Syera Coastal City
illustration of The iconic tree seen in the world of Syera
illustration of Aerial view of Syera's Coastal City and it's lush mountainous landscape.
illustration of Aerial view of Syera's Mountain Village and it's immense lake.
illustration of Close up view of the Mountain that is seen behind the Mountain Village
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illustration of This is an illustration created for the children's book by Kelly Lambert,
illustration of This is an illustration created for the children's book by Kelly Lambert,
illustration of This is an illustration created for the children's book by Kelly Lambert,
illustration of This is an illustration created for the children's book by Kelly Lambert,
illustration of This is an illustration created for the children's book by Kelly Lambert,
illustration of This is an illustration created for the children's book by Kelly Lambert,
illustration of This is an illustration created for the children's book,
illustration of This is an illustration created for the children's book,
illustration of This is an illustration created for the children's book,
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Qwest commissioned a series of playing cards to be made to help their customers better understand and use the number of wireless data products that were available to them. They were to use these to stay connected to all of the important information that was going on around them. I was fortunate to illustrate all 20 cards. They were painted in gouache on illustration board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of Luna Moonhunter is a graphic novel telling the story of a young women named Luna, who battles evil in city. She wars against demonic spawned beasts who know only to kill and destroy. Luna also is cursed with genetic case of Lycanthropy which she is desperately trying to keep under control. The story takes place in the not so far future of England. Pencils and pen and ink with wash are used on plate bristol board.
illustration of In this story we join veteran racing commentator, Chris Economaki, at annual racing event known as the Nationals. Here he walks us through the various racing events to be held and the various types of racing machines that can be seen. Since it's CARtoons there are some unexpected twists to be discovered. Artwork is pen and ink with wash on bristol board.
illustration of In this story we join veteran racing commentator, Chris Economaki, at annual racing event known as the Nationals. Here he walks us through the various racing events to be held and the various types of racing machines that can be seen. Since it's CARtoons there are some unexpected twists to be discovered. Artwork is pen and ink with wash on bristol board.
illustration of In this story we join veteran racing commentator, Chris Economaki, at annual racing event known as the Nationals. Here he walks us through the various racing events to be held and the various types of racing machines that can be seen. Since it's CARtoons there are some unexpected twists to be discovered. Artwork is pen and ink with wash on bristol board.
illustration of In this story we join veteran racing commentator, Chris Economaki, at annual racing event known as the Nationals. Here he walks us through the various racing events to be held and the various types of racing machines that can be seen. Since it's CARtoons there are some unexpected twists to be discovered. Artwork is pen and ink with wash on bristol board.
illustration of In this story we join veteran racing commentator, Chris Economaki, at annual racing event known as the Nationals. Here he walks us through the various racing events to be held and the various types of racing machines that can be seen. Since it's CARtoons there are some unexpected twists to be discovered. Artwork is pen and ink with wash on bristol board.
illustration of In this story we join veteran racing commentator, Chris Economaki, at annual racing event known as the Nationals. Here he walks us through the various racing events to be held and the various types of racing machines that can be seen. Since it's CARtoons there are some unexpected twists to be discovered. Artwork is pen and ink with wash on bristol board.
illustration of These are six pages I worked on for a book called Hero TV that had several illustrators on various chunks of the story. My portion involved the stories baddie heading towards an Air Force Base to deal with an old nemesis of his. The General he's after makes an attempt to counter his attack. Pen & Ink with Zipatone on illustration board.
illustration of These are six pages I worked on for a book called Hero TV that had several illustrators on various chunks of the story. My portion involved the stories baddie heading towards an Air Force Base to deal with an old nemesis of his. The General he's after makes an attempt to counter his attack. Pen & Ink with Zipatone on illustration board.
illustration of These are six pages I worked on for a book called Hero TV that had several illustrators on various chunks of the story. My portion involved the stories baddie heading towards an Air Force Base to deal with an old nemesis of his. The General he's after makes an attempt to counter his attack. Pen & Ink with Zipatone on illustration board.
illustration of These are six pages I worked on for a book called Hero TV that had several illustrators on various chunks of the story. My portion involved the stories baddie heading towards an Air Force Base to deal with an old nemesis of his. The General he's after makes an attempt to counter his attack. Pen & Ink with Zipatone on illustration board.
illustration of These are six pages I worked on for a book called Hero TV that had several illustrators on various chunks of the story. My portion involved the stories baddie heading towards an Air Force Base to deal with an old nemesis of his. The General he's after makes an attempt to counter his attack. Pen & Ink with Zipatone on illustration board.
illustration of These are six pages I worked on for a book called Hero TV that had several illustrators on various chunks of the story. My portion involved the stories baddie heading towards an Air Force Base to deal with an old nemesis of his. The General he's after makes an attempt to counter his attack. Pen & Ink with Zipatone on illustration board.
illustration of This piece is an homage to Atlas Comics' Golden Age roster of sometimes misunderstood monster and alien characters that populated the pages of their books throughout the 1950s. In this work there are around 91 of these characters. Gouache on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is Pen & Ink on bristol board.
illustration of I have created many stand alone images of various super types doing their thing. Some at the request of a person who likes so and so or something I may have done of so and so just for the fun of it. This piece is gouache and watercolor on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here we have a Dodge Viper eluding the Law. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here we have a Chevy Camaro tearing up the road. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a sweet couple out for a drive in their restored Bel Air Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a classic Bel Air zipping down an Arizona Highway. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a speeding farmer and his co-pilot getting his produce to the local market. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a radio DJ doing his thing in a classic pickup truck. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a young'n hauling a load of chilies to the local farmer's market. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a beautiful lady and her buddy enjoying some four-wheeling out in the great outdoors. Gouache on bristol board.
illustration of Here the weirdos known as Lindy's Loonies are out on the streets tearing it and each other up. Gouache on bristol board.
illustration of This is an illustration done for CARtoons Magazine as a promotional poster. It portrays the characters the readers can expect to see in each issue such as Duece & Pinstripe who are leading the pack. Also a plethora of vehicles are packed into the piece. 'Cuz, that's what CARtoons is known for. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here there are no cops to be seen. This Bel Air taxi is enjoying a quiet day in the city. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a speed freak and his co-pilot out for a leisurely drive. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have the driver of a '59 Impala coasting down the back roads of the country side. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! This weirdo was done as a promotional piece for CARtoons Magazine. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a cute couple out for Sunday drive. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a '72 Dodge Charger leaving the Po-Po in the dust. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a car restorer testing out his latest project. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! This speeding maniac was done as a promotional piece for CARtoons Magazine. Gouache on bristol board.
illustration of I have done many commissioned works of muscle cars and hot rods featuring the owners and their suped-up rides. They are typically shown driving in a way that is frowned upon by the State Patrol and other law enforcement entities. Which of course makes it fun! Here have a high speed chase with a Dodge Challenger. Gouache on bristol board.
illustration of This is a painted cover I did for CARtoons Magazine #2 that was relaunched in 2017. Gouache on bristol board.
illustration of This is a painted cover I did for CARtoons Magazine #13 that was relaunched in 2017. Gouache on bristol board.
illustration of Issue 19 was the 60th anniversary of the magazine. My idea was to use the two characters from the very first issue of CARtoons that ran back in 1958. They are portrayed driving the very same car that they were working on back then. I also incorporated them into a 6 page story within the magazine. Gouache with airbrush on bristol board.
illustration of This is a painted cover I did for issue #32 of CARtoons Magazine that was relaunched in 2017. This features the foreign cars that have the same paint jobs as the Fast & Furious cars. Gouache on bristol board.
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This pastel illustration was created for the Wild Calling's exhibition booth that was set up at various trade shows. The artwork features the primary protein sources used in the their canned pet food products. Pastels on sanded paper
illustration of This oil painting illustration was done for a pet store window display to promote the varied pet food products that Wild Calling produced. All types of feed for dogs, cats and birdies. Oil on illustration board.
illustration of This oil painting illustration was to capture the image of little stray cat that lived with us for a couple years. He was good soul. Oil on illustration board.
illustration of This is an oil painting of a group of chickens and a protective rooster is was sounding the alarm that an intruder is approaching. Oil on linen.
illustration of Pastel illustration of the rare Northern Colorado Prairie Dog. Or Longhair Dachshund, if you prefer. Pastels on sanded paper
illustration of This is a pastel illustration from a 1950's B&W cover photo from
illustration of Mother and daughter on a horse ride around the corral. A tender moment worthy of an artwork attempt. Pastel on sanded paper.
illustration of A pastel painting of a young boy taking his horse out for a stroll. Pastel on sanded paper.
illustration of Pastel illustration of a horse taking a break from walking around with his owner. Pastel on sanded paper.
illustration of A pastel painting of a little horse grazing Pastel on sanded paper.
illustration of A pastel painting of two horses grazing in a field. Pastel on sanded paper.
illustration of A pastel painting of a little horse grazing in a field. Pastel on sanded paper.
illustration of A pastel painting of two horses grazing in a field. Pastel on sanded paper.
illustration of My own creative processes as an illustrator are visually expressed here by the Chimpanzee, Orangutan and Baboon. Gouache on bristol board

Profile

As early as Kindergarten I remember being interested in drawing and painting. Anytime the easel was available during activity time I made an immediate bee line to it’s vicinity. By the first grade I was creating illustrated stories on my Big Chief note paper and stapling the pages together to give out to various friends. I still have a couple of them. They’re so bad they’re good. By the 6th grade I decided I was going to be a full time illustrator. Getting paid to draw stuff seemed like a decent way to make a living. I would find out if this was true or not upon graduating from the Colorado Institute of Art in the fall of 1986. Since that time I have worked in the a variety of assignments from the editorial world to the commercial and corporate realm. These projects range from pen and ink work with comic books to fully painted illustrations for magazines, trading cards, children's books, and fun stuff like that. I enjoy working with pen & ink, pastels, gouache and oil paint. These days I’m at the easel painting as much as I am at the drawing table penciling and inking. I want to be making pictures as much as I can. Although the days of getting a call for a job and sitting down with the art director to discuss it is pretty much gone I still get a thrill out of getting an email query regarding potential work. I miss the face to face interaction but I do still enjoy being able to meet the client’s needs and deliver a competent piece that will please them and do the job it needs to. Turns out I was right. Getting paid to draw stuff is a pretty fun way to make a living. If you have a project in mind reach out to me and let’s see if we can bring it to life.

Style/Techniques

Abstract, Airbrush, Black & White, Caricature, Cartoon, Figurative, Gouache, Impressionistic, Line, Mixed Media, Oil, Painterly, Pastel, Pen & Ink, Realism, Watercolor, Monoprints

Subject/Specialties

Humor, Action, Adventure, Animals, Architecture, Book Covers, Children, Children's Books, Comic Book, Corporate, Editorial, Education, Fantasy, Food, Futuristic, Historical, Landscape, Maps, Mural, Music, Mystery, Nature, Packaging, People, Portrait, Product, Religious, Romance, Sci-Fi, Textiles, Transportation, Travel, Wildlife, Food/Beverage, Lifestyle, Feminine, Masculine, Spiritual, Youth, Environmental, Financial, Urban