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The New Yorker

The Loneliness of Sunny and Sonia

Anagh Banerjee

IllustrationZone

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Artist Name

Artist: Anagh Banerjee Client: The NewYorker for the fiction section, accompanying a passage from Kiran Desai's novel, The Loneliness of Sunny and Sonia

Anagh Banerjee

Anagh Banerjee

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IllustrationZone

illustration of From a project about the partition of India. Woodcut print
illustration of Woodcut print, handmade, part of a project about the partition of India
illustration of Illustration accompanying the poem, 'I asked nothing from thee', for the first-ever illustrated edition of Gitanjali by Rabindranath Tagore, published by The Folio Society
illustration of Black & White, Engraving, Graphic, Texture, Woodcut, Book Covers, Historical, Nature, People, Spiritual
illustration of Illustration for the poem, 'In one Salutation to thee', for the first-ever illustrated edition of Gitanjali by Rabindranath Tagore, published by The Folio Society, London.
illustration of A part of the series The Other Side archiving the Partition of the Indian subcontinent in 1947, this is an illustration of the river Padma, that was crossed by millions of people to get across the border.
illustration of Illustration representing India's Independence Day celebrations in 1947 as a part of the series, 'The Other Side' archiving the Partition of the Indian subcontinent.
illustration of Illustration representing refugee camps where millions of people took shelter in the aftermath of the Partition of the Indian subcontinent in 1947. This is part of a series called 'The Other Side' on documenting the Partition through first-hand accounts of displacement.
illustration of An Illustration accompanying an essay by Parul Sehgal on the role of literature in capturing the horrors of The Partition of the Indian subcontinent for The New Yorker.
illustration of Illustration for Abraham Verghese's review of Siddharta Deb's The Light At The End Of The World for The New York Times Book Review.
illustration of Illustration accompanying the poem 'Death thy servant' for the first-ever illustrated edition of Gitanjali by Rabindranath Tagore, published by The Folio Society, London.
illustration of Feature illustration accompanying Grace Snell’s essay on jails in the USA and the flaws in the criminal justice system.

Profile

Anagh Banerjee is an award-winning Indian illustrator, printmaker and designer based in Brooklyn, New York. His work has been commissioned by The New Yorker, The New York Times, and The Folio Society, among other publishers. Anagh has an MFA in Illustration from the School of Visual Arts, New York, and his work has been recognised by the likes of American Illustration, The Society of Illustrators LA, and 3x3. He has an on-going personal project on the Partition of the Indian subcontinent that has been exhibited at several prestigious organisations such as Brooklyn Public Library, NY, St. Remy de Provence, France, The Art League, Alexandria and, Evanston Art Center, Illinois among others.

Style/Techniques

Black & White, Conceptual, Engraving, Figurative, Fine Art, Graphic, Realism, Stylized, Texture, Woodcut, Concept Art

Subject/Specialties

Architecture, Book Covers, Editorial, Fantasy, Historical, Landscape, Mystery, Nature, People, Political, Portrait, Wildlife, Vintage / Retro, Spiritual, Ethnic, Edgy, Grunge, Urban